Global Mediterranean. Postcolonial music histories (16th-20th centuries). IMS Intercongressional Symposium

Session

Music Recording and Recorded Repertoires

FP2

9 Jul 2025, 09:00

Aula 8

Conveners

Music Recording and Recorded Repertoires

• Egberto Bermudez (Universidad Nacional de Colombia)

152. Dalmatian Music Reimagined: Understanding Transformations

09/07/2025, 09:00

Free paper

Like much of the Mediterranean, Dalmatia has become a globally sought-after tourist destination over the past century. Along with its sun, sea, wine, and olives, it offers the distinctive sound of Dalmatian klapa – a traditional vocal ensemble deeply rooted in the region. The klapa repertoire reflects a range of influences, e.g. Italian canzone, church music, the brass band tradition,...

39. Musical Bridges Across the Atlantic: Forgotten Artists and the Transoceanic Circulation of Lusophone Music in the Early 20th Century

09/07/2025, 09:20

Free paper

Throughout the 20th century, phonographic industries unprecedentedly intensified the circulation of music between countries and territories with Lusophone heritage. Local music genres such as samba and maxixe in Brazil, and fado in Portugal, were promoted through musical industry to the symbolic status of national music, becoming part of a vast and complex system of transoceanic circulation....

53. Entangled between hardware and software infrastructure: Assamese Popular music making in studios in Guwahati, Assam, India

09/07/2025, 09:40

Free paper

Recording studio is the rite to passage in popular music production from its inception. Be it for voice dubbing, live instruments recording or mixing and mastering ‘recording studio’ is incessantly ‘in between’ after a composition is made and its release as a popular song to the listeners. Situating ‘recording studio’ as the hardware infrastructure of making of popular music, paper will take...