Name: Global Mediterranean. Postcolonial music histories (16th-20th centuries). IMS Intercongressional Symposium
Start: 2025-07-09T08:40:00+02:00
End: 2025-07-12T17:00:00+02:00
Location: Facultat de Filologia, Traducció i Comunicació – Universitat de València

Global Mediterranean. Postcolonial music histories (16th-20th centuries). IMS Intercongressional Symposium

from Wednesday 9 July 2025 (08:40) to Saturday 12 July 2025 (17:00)

Monday 7 July 2025
Tuesday 8 July 2025
Wednesday 9 July 2025
09:00
09:00 - 10:30
Contributions

09:00 From theatre to street: the role of the organillo in shaping Madrid’s musical identity in the Late 19th century

09:20 The Tune of Folías de Espanya in Catalan Popular Songs from Eighteenth Century

09:40 Negotiating Urban Musical Culture in Barcelona’s Domestic Concerts (1760–1808)
09:00 - 10:30
Contributions

09:00 Dalmatian Music Reimagined: Understanding Transformations

09:20 Musical Bridges Across the Atlantic: Forgotten Artists and the Transoceanic Circulation of Lusophone Music in the Early 20th Century

09:40 Entangled between hardware and software infrastructure: Assamese Popular music making in studios in Guwahati, Assam, India
09:00 - 10:30
Contributions

09:00 Negotiating Artistic Identity in the Context of Migration and Exile: The Case of Clara Haskil

09:20 Inti-Illimani's Mediterranean Music and the Alchemy of Exile (1973–1988)

09:40 Italian Arab Musical Encounters (1880s-1930s): Sound and Power
IMS-SG Gender and Musical Patronage
IMS-SG Gender and Musical Patronage
09:00 - 12:00
09:00 - 14:00
Contributions

09:00 Theaters of the Mediterranean and Circulation of Opera
10:30
10:30 - 12:00
Contributions

10:30 “Sol y sal”: music strategies regarding Mar Menor’s ecocide

10:50 When Spain courted tourists: Music in the tourism promotion magazines of the first half of the 20th century

11:10 Traditional music in the Pitiusas Islands: towards a sustainable genre
10:30 - 12:00
Contributions

10:30 Exploring Early Modern Spanish Musical Imagery through Digital Tools

10:50 A New Book on Qājār Music and Art in Iran: ʿAmalajāt-i Ṭarab-i Ḵāṣa (Exclusive Royal Musicians)

11:10 Musical iconography in nineteenth-century Brazilian illustrated periodicals: the first phase of the Revista Illustrada (Rio de Janeiro, 1874-1889)
10:30 - 12:00
Contributions

10:30 Emissaries of power. Material and symbolic journeys in the urban phonospheres of the Hispanic Mediterranean (17th century)
12:00 Coffee break
Coffee break
12:00 - 12:30

12:30 Local AVAMUS
Local AVAMUS
12:30 - 14:00
12:30 - 14:00
Contributions

12:30 The Italian Opera Business in South America: A Study in Migration, Colonialism, and Transculturation in the Second Half of the Nineteenth Century

12:50 Opera in Colonial Vietnam: Symbol of Power and Authority?
12:30 - 14:00
Contributions

12:30 Breaking Sociocultural Boundaries: Basso Continuo Practice as ‘Trans-Social’ Tool in Eighteenth-Century Venice - Elia Pivetta (University of Pavia)

12:50 The chord, the composer, and the instrumentalist

13:10 Hispanic nuns and the global networks for the transmission of oral musical practices
12:30 - 14:00
Contributions

12:30 ‘Rome dominates the Skies of the World’ Fascist Italy’s Radio, Music and Sonic Propaganda: Transatlantic and Trans-Mediterranean Routes
14:00 Lunch
Lunch
14:00 - 15:30
15:30
15:30 - 17:00
Contributions

15:30 Mediterranean Dialogue and Auto-Orientalism: Ontology of Spain

15:50 Llorenç Barber and Darmstadt: The Valencian Perspective during the Francoist Era

16:10 From the Mediterranean to Cuyo. Two versions of Hispanism in the Regional History of Music in the first half of the 20th century
15:30 - 17:00
Contributions

15:30 Legal Discourse in Opéra-Comique: Annette et Lubin and Marriage Law in the Ancien Régime

15:50 Transoceanic Orpheus: aesthetic-musical experimentalism from opera to Brazilian carnival
15:30 - 17:00
Contributions

15:30 The Noguera-López-Chavarri Letters: Networks of Folklorists and Musical Nationalism in Turn-of-the-Century Spain (MUSred Project)

15:50 Title of the Project: Zajal Digital Chronicles: An Interactive Collective Memory for the Preservation and Transmission of Lebanese Zajal

16:10 A Gregorian Chant, a Melodic Revelation from Mount Sinai, and the Burning of Martyrs at the Stake: the Legends and Presumed Relationship of Sanctus and Aleinu
15:30 - 17:00
Contributions

15:30 The histories of saxophone ensembles in Brazil: the symbiotic relationship between opera and band repertoire.

15:45 Angelo Persichilli, Raymond Guiot, and the Accademia italiana del flauto

16:00 Discursive Constructions of Cultural Meanings in Ephemeral Sources About the Concerts of the Philharmonic and Symphonic Orchestras of Havana in the 1920s.

16:15 Life of 78 RPM Records on the Domestic and Foreign Markets: The Case of Zagreb-Based Record Companies

16:30 Musical Theatre and Collective Identities in Hispanic and Portuguese Territories (1750-1814): Galician Perspectives

16:45 Armonía Espiritual de Stefano Limido (1624): lo excepcional en lo cotidiano
17:00 Coffee break
Coffee break
17:00 - 17:30
17:30 Poster Presentations
Poster Presentations
17:30 - 18:08
Contributions

17:47 Mus.I.Care: Taking Care of Incomplete Music

17:54 Dioniso 2.0: The psychoacoustic fascination of the Mediterranean Dionysian in its contamination with electronic music.
18:15 The Mediterranean as a meeting-point of peoples and cultures
The Mediterranean as a meeting-point of peoples and cultures
18:15 - 19:30

19:30 Salutation from the authorities
Salutation from the authorities
19:30 - 20:00
Thursday 10 July 2025

09:00 IMS-ICTMC joint RT
IMS-ICTMC joint RT
09:00 - 12:00

IMS-SG Musical Iconography
IMS-SG Musical Iconography
09:00 - 14:00
09:00 - 10:30
Contributions

09:00 Alejandro García Caturla: an Afro-Cubanist Atlantic-Mediterranean path of "De-Westernisation" and "Afrotopia" in the music of the 20th century (1928-1929)

09:20 The Song of Erotokritos: Venetian-Cretan Legacy and 20th Century Performance Scenarios in Crete

09:40 A Deferred Primordial Sound: Resurfaced Musical Performance in the Milanese Armenian Avant-Garde
09:00 - 10:30
Contributions

09:00 The Colonna harpsichord’s journey: Changing attitudes towards early musical instruments collecting during the US American Gilded Age

09:20 Categories of intercultural reception of Arab Music and its Music Theory in Western Composition since 1990

09:40 Riccardo Bonicioli (1853-1933) as a citizen of the world and the effect of the Greek Revolution on his work
09:00 - 10:30
Contributions

09:00 Rosa canta e cunta. Voice, memory, and resistance of a folk singer of Mediterranean culture.

09:20 Between Silence and Song: Rethinking Amália Rodrigues in Estado Novo Portugal

09:40 Between Modinhas and Lundus: Augusta Candiani and Marietta Baderna on the 19th-Century Brazilian Stage
10:30
10:30 - 12:00
Contributions

10:30 Moresca and Sabir: Lost heritage of the Mediterranean Basin

10:50 Venetian "Villanesche alla Napolitana" and the repertoire of 'witches'
10:30 - 12:00
Contributions

10:30 Between Two Basins: The Circulation of Rioplatense Tango and the Musical Production of Cultured Tangos in the Mediterranean Region (1890-2002)

10:50 Harmonizing Diaspora: Situating Armenian Folk and Art Music in fin-de-siècle Paris (1890-1910)

11:10 Morelia, arrival and departure of musicians from around the world in the case of the Alfonso Vega Núñez International Organ Festival (1966-1988)
10:30 - 12:00
Contributions

10:30 Cultural Hierarchies in Music Education for Social Change: Neocolonialism and Coloniality in the SOMOS Música Program

10:50 Musical engagements between indigenous people and Spanish Benedictines in Western Australia: the case of the Valencian monk Odo Oltra (1826-1898).

11:10 China's Oceanic Routes in Global Music History Pedagogy
12:00 Coffee break
Coffee break
12:00 - 12:30
12:30
12:30 - 14:00
Contributions

12:30 History in today’s plural societies: Mediterranean Voices (Neue Vocalsolisten 2014)

12:50 Toward a new ecosystem of musicological studies

13:10 An Alternate History of European Music: Translating Ernst Ferand's "Die Improvisation in der Musik"
12:30 - 14:00
Contributions

12:30 Sonic Politics of Freedom: Wilhelm Tell in Transnational Musical Discourse, 1750-1798

12:50 Remapping Rossini’s Operas in the Ionian Islands

13:10 The Role of Algeria in the Creation of Rossini’s “L’italiana in Algeri”: Historical and Political Perspectives
Local-2
Local-2
12:30 - 14:00
12:30 - 14:00
Contributions

12:30 Mediterranean Imaginaries and Decolonial Perspectives from Abya Yala: Rethinking Global Music Histories
12:30 - 14:00

14:00 Lunch
Lunch
14:00 - 15:30

15:30 Globalization and Missionaries
Globalization and Missionaries
15:30 - 17:00

17:00 Coffee break
Coffee break
17:00 - 17:30
17:30 Ramzi Aburedwan - Dinko Fabris Conversation previous to Ensemble Dal'oun concert
Ramzi Aburedwan - Dinko Fabris Conversation previous to Ensemble Dal'oun concert
17:30 - 20:00
Contributions

17:30 Music Educational Projects in Palestinian Territories, past and future
20:30 Conference Dinner
Conference Dinner
20:30 - 23:00
Friday 11 July 2025

09:00 IMS-SG Global History of Music
IMS-SG Global History of Music
09:00 - 12:00

IMS-SG Early Music and the New World
IMS-SG Early Music and the New World
09:00 - 12:00
09:00 - 10:30
Contributions

09:00 «Apenas había un joven, una señorita, un oficial mozo que no supiera y cantase de memoria el Misero Pargoleto». Comedia as a genre of opera reception of eighteenth-century Madrid

09:20 Multiple identities between imperialism and nationalism

09:40 Children’s Lyric Companies: European and American Tours During the Spanish Restoration (1874-1931)
09:00 - 10:30
Contributions

09:00 ‘Bilbao Song’: Exoticism and Modernism in the Basque Amateur Scene during the ‘Jazz Age’ (1920-1930)

09:20 Music and Discursive Context for a Deconstruction of the Nationalist Myth: New Visions on Criollismo in Nineteenth Century Cuba
09:00 - 10:30
Contributions

09:00 Plainchant in Nueva España: Liturgical Monody in Manuscripts from the Guatemalan Highlands

09:20 Open the book! Repertory building, theory teaching and further relationships of the Split cathedral in the early Eighteenth Century

09:40 Between the Mediterranean and the New World: Music and Devotional Practices for Saint Benedict the Moor
10:30
10:30 - 12:00
Contributions

10:30 ‘Roman salutes’ and ethnic makeup in Clemente’s Fracassi’s Aida (1953)

10:50 A Nation at War: The Edition of Rigoletto’s Draft (1941) and Fascist Italy’s Struggle for Supremacy

11:10 Sounds of the Empire: Music Exoticism in 1930s Luce Films
10:30 - 12:00
Contributions

10:30 The Tragedy of the (Musical) Commons: Addressing Issues in Orality and Ownership

10:50 Early Music as a Way of Life: From Heritage to Market through Artistic Creation

11:10 Performing an Early Mediterranean. Repertoires and Historicities
10:30 - 12:00
Contributions

10:30 “Que sobre el canto llano se echassen otras voces”. The Repertoire of Polyphonic Introits in the Iberian Peninsula (16th-17th Centuries): Contexts, Sources, and Practices.
12:00 Coffee break
Coffee break
12:00 - 12:30
12:30
12:30 - 14:00
Contributions

12:30 Music in Motion: On Music’s Mobility in French Musical Films of the 1940s

12:50 Classical Music on Portuguese National Television or how to democratize after the revolution

13:10 Spain and Its Music in the Noticiero ICAIC Latinoamericano (1960–1990): Identity, Resistance, and Cooperation
12:30 - 14:00
Contributions

12:30 Cantiga 121 and a Founding Legend of the Rosary: Its Journey in Song, Sermon, and Print from Late Medieval Spain to Early Modern Mexico

12:50 Travelling Songs in the Fifteenth Century

13:10 Rhythm as cross-cultural embodiment and representation
Local SEdeM
Local SEdeM
12:30 - 14:00
12:30 - 14:00
Contributions

12:30 Knowing the Other: Sounds and Music in Travelogues and the Reception of the Exotic - Paola Dessì (Università di Padova) Elena Murarotto (Università di Padova) Andrea Pintimalli (Università di Padova) Chiara Casarin (Università di Padova)
12:30 - 14:00

14:00 Lunch
Lunch
14:00 - 15:30

15:30 Portugal at the crossroads of Mediterranean and Atlantic cultures: an approach through the biographies of 18th and 19th century musicians
Portugal at the crossroads of Mediterranean and Atlantic cultures: an approach through the biographies of 18th and 19th century musicians
15:30 - 17:00

18:00 IMS Award Ceremony
IMS Award Ceremony
18:00 - 19:00
Saturday 12 July 2025
09:00
09:00 - 10:30
Contributions

09:00 Pre- and post-dramatic approaches in today's early Baroque opera productions in Europe

09:20 Heterogeneous Sounds and Cross-Cultural Soundscapes in East-West Dialogue: A Study of the Opera Marco Polo (1996–2024)

09:40 Satyagraha in Sound: The Intersection of Glass's Minimalism, Indian Colonial History, and Hindu Mythology
09:00 - 10:30
Contributions

09:00 Haydn and the 5-string Cello

09:20 STUDY OF LEXICOGRAPHY AND MUSICAL TERMINOLOGY OF OPHICLEIDE IN THE 19th CENTURY

09:40 TRANSCULTURAL INSTRUMENTS FROM AFRICA TO EUROPE: A CONTRIBUTION TO THE CULTURAL HISTORY OF TIMPANI
09:00 - 10:30
Contributions

09:00 Processos actuals de patrimonialització i folklorització en la música tradicional valenciana: dos casos d’estudi - Àlec Arribas (Universitat Autònoma de Barcelona)

09:20 Histories of musical circulation and Coexistence during the making of “The unknown Spanish Levant series in Egypt”
09:00 - 10:30
Contributions

09:00 Remapping València in the Festival Borderlands: Musical Repertoire and the Reconfiguration of the Everyday

09:20 Echoes of the Mare Nostrum: Sonic Performativities and Identity Encoding in the Soundspaces of the Crown of Aragon

09:40 Origins and spread of marching bands in Southern Italy (1800-1870): sources, practices, circulation.
Giovanni Bottesini (1821 – 1889): a Global Mediterranean Life
Giovanni Bottesini (1821 – 1889): a Global Mediterranean Life
09:00 - 10:30
Contributions

09:00 Giovanni Bottesini (1821 – 1889): a Global Mediterranean Life
10:30 Coffee break
Coffee break
10:30 - 11:00
11:00
11:00 - 12:30
Contributions

11:00 The 1580 Culture Quake in Spain

11:20 Questioning Connectivity and Chronology in Global Music History

11:40 Women Music Historians in Greece (19th–21st Century): Interconnections and Influences
11:00 - 12:30
Contributions

11:00 Silencing the other. The prohibition of morisco rituals, sounds and processions in 16th century Kingdom of València

11:20 The Barber-Surgeons of the Brazilian Empire: Another Side of Slavery

11:40 El orientalismo musical español como expresión de sexualidades no normativas a principios del siglo XX
11:00 - 12:30
Contributions

11:00 Misa Aguinaldo and the Villancico in the Philippines: Tracing Cultural Flows and Transculturation from the Mediterranean to the Far East

11:20 Musical epigraphies as historical musical sources. Museumization as a proposal for the heritage preservation of musical epigraphies
11:00 - 12:30
Contributions

11:00 Artists' Piano Rolls: Circulation and Exchange of Musical Repertoires in Spain at the Beginning of the 20th Century

11:20 Two Nineteenth-Century Modinha Songbooks from Brazil: Transatlantic Destinies
12:30
12:30 - 14:00
Contributions

12:30 From Subversive Marginality to Hard-Right Populism: The Shifting Politics of “Arabesk” in Contemporary Turkey

12:50 In Pursuit of a Sound Future: Industriousness in Maltese Popular Songs of the 1970s
12:30 - 14:00
Contributions

12:30 The emergence of the music press in France and the war of the first music periodicals

12:50 “As if he were not the same person”: Schenker on Casals as cellist, conductor, and businessman
12:30 - 14:00
Contributions

12:30 The birth of the French Dauphin (1729) in the eastern Mediterranean: Dynastic festivals as multicultural festivities?

12:50 Muslim ambassadors in the theatre and music of the Spanish Golden Age. An applied research for a contemporary re-reading.
Musical Exchange Networks in Colonial Hispano-America
Musical Exchange Networks in Colonial Hispano-America
12:30 - 14:00

14:00 Lunch
Lunch
14:00 - 15:30

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