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Subcontributions
- Welcome & Introduction
- Warburg before and after the Renaissance: classical quotations between archaeology and psychohistory
- Medieval echoes in the Portuguese Baroque: the satirical case of the ‘Macacarias’ (or monkey scenes)
- The Portuguese Mediterranean discovered: migrations, seasonality, and musical iconography in ‘Ratinho’ faience
- Visualizing early modern Ottoman music: Western perspectives from travelogues and costume books
- Beyond the database: rethinking digital music iconography in early modern contexts
- Research space, semantic web design, and the Lasso/Mielich/Quicchelberg Penitential Psalms
- Weaving a Concerto Grosso: from Alfred Schnittke’s No.1 to Tom Phillips’ Tapestry
